Showing posts with label foreign love poetry. Show all posts
Showing posts with label foreign love poetry. Show all posts

On Entering the Sea: The Erotic and Other Poetry of Nizar Qabbani (Poetry Series) Review

On Entering the Sea: The Erotic and Other Poetry of Nizar Qabbani (Poetry Series)
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On Entering the Sea: The Erotic and Other Poetry of Nizar Qabbani (Poetry Series) ReviewDon't let the fact that his words have been translated from their original Arabic dissuade you from believing that somehow the work isn't as honest as it should be. Qabbani's work is so powerful it hardly matter shwat language it is in. In short, easily read dollops of wit measured out with a voice of quiet urging, he has given us work that transcends time and politics, while being above-it-all.
"If you know a man
who loves you more than I
guide me to him
so I may first congratulate
hom on his constancy
and later, kill him."
If poetry ever had a Luther Vandross, it was Pablo Neruda. If it ever had a Barry White, it was Qabbani.On Entering the Sea: The Erotic and Other Poetry of Nizar Qabbani (Poetry Series) Overview

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Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems Review

Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems
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Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems ReviewBernard Lewis is probably the West's foremost scholar on Islam and the Middle East; I have enjoyed several of his books on these topics. Even so, I was surprised to find a volume of poetry, translated by Lewis, at my bookstore, and I bought it immediately, reasoning that if it remotely approached his other works, it would be well worth the money. I was not disappointed. With little or no knowledge of Near Eastern poetry to my credit, Music of a Distant Drum won me over. I read the entire volume of poems, about 130, in the first evening.
Music of a Distant Drum is divided into four sections of approximately equal lengths, each providing poems, translated by Lewis, from four distinct (although sometimes contemporaneous) cultures: Arabic, Persian, Turkish and Hebrew. While I?m qualified to critique neither the poetry nor its translation, I can say that I found them all beautiful. Not knowing what to expect, I was surprised by the brevity of many of the works. The Persians and Arabs in particular seem to be fond of short works in tight stanzas. Too, I found the worldliness and circumspection of the Persians unexpected, even though they, among all four cultures, seemed most fond of metaphor.
If you are a student of the East, I think you might be interested in, and surprised by, the topics these poems: war, love, aging, politics, drinking (!). Some scholars note that drinking (or drunkenness), as a topic in this poetry, is a metaphor for an all-encompassing love of God. Lewis seems to suggest that the drinking references may not be as metaphorical as others maintain it is. Either way, the poetry is agile and moving, and I enjoyed it very much. Poetry lovers may appreciate that some of these works have probably never appeared in print in the West, and I was impressed by the very number of poets represented: there are an astonishing 54 mini-biographies (about a paragraph, each) in the back of the book.
Buy this book and read it. I believe you will find it as powerful and enjoyable as I did.Music of a Distant Drum: Classical Arabic, Persian, Turkish, and Hebrew Poems Overview

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